Good Day Advertising — The DMV Show

IndieHQ Radio · On demand

Good Day Advertising

The DMV Show. Every record DMV, every agency ours, plus a little DMV extended. Friday, October 2, 2026.

Hosts Zanger & Kyle O’Brien Aired Friday 2 October Runs 1 hour
Or pick your way down the page.

The whole hour, in order. Talk breaks play here; the music plays from Spotify. Every record has a DC, suburban Maryland or Northern Virginia connection, and every agency on air is one of IndieHQ’s four DMV members, plus our neighbors up and down 95 in Baltimore and Richmond. It was a morning: one stepped-on pair of headphones, one restart and a jingle that took a swing at 1600 Pennsylvania Avenue. We powered through anyway.

On the music: tracks play in full if you’re signed in to Spotify Premium in this browser. Otherwise you’ll get a 30-second preview — tap the Spotify logo on any track to open it in your own account.

The Open #

Not the Department of Motor Vehicles

  • The DMV jingle, which does not rhyme and takes a detour past 1600 Pennsylvania Avenue
  • The restart: one stepped-on pair of headphones and a backup somewhere in a sleeping teenager’s room
  • The rules for the hour: every record DMV, every agency one of ours
  • Coming up: a third B2B buy in 18 months, an $86 million hike and a song we won’t play
Transcript

[Jingle: Good Day Advertising — the DMV edition]

Jingle: Good morning, DC, Maryland and Virginia. We are broadcasting to you from Portland, Oregon. And Jim Thorpe, Pennsylvania. Which is closer, but still not the DMV. Not even close.

Jingle: We have four member agencies in the area. Colorado had 20. We said we weren’t going to bring up Colorado. It’s fine. They can’t hear us.

Jingle: Baltimore would like you to know it is not the DMV. Richmond is just happy to be invited. Go-go is the official music here, and we respect the law. Unlike 1600 Pennsylvania Avenue. Because it’s Good Day Advertising, on IndieHQ Radio. And no, we are not playing the John Denver song. Good Day Advertising.

Zanger: How about we start this over? Oh my God. All right. Well, there’s our little jingle. Good morning, everyone. More technical difficulties. Here’s what happened. Number one: I stepped on my headphones last night. They’re my wonderful gift from Robert Douglas at Left Off Madison Avenue. It’s late, I’m fumbling around in the dark, and I hear this crunch.

Kyle: Ouch.

Zanger: And sure enough, the left ear is dangling. So I need a backup. The backup is in my son’s room, he’s still asleep, and I don’t know where it is, because, you know, teenager.

Zanger: So, Doug Zanger. Kyle O’Brien here. Let’s just reset this sucker. Good God, Lemon.

Kyle: That’s right, Liz Lemon.

Zanger: We do this every Friday. Good Day Advertising. Last week we did Colorado. Today it’s the DMV, and we’re not talking about the Department of Motor Vehicles. It’s DC, suburban Maryland, Northern Virginia. Every record you hear has a connection to it, and every agency we talk about is one of ours.

Zanger: And we have a Show Off at Yes& in Alexandria, Tuesday the 13th. It’ll be up on the show page, because after each show we curate one. Technical advertising term. Curate.

Kyle: We’re gonna circle back to curating.

Zanger: This is our third show, so we’re getting some of the kinks out. And we will have a UK show that will probably feature the Kinks.

Kyle: Is there a segue to the Kinks I don’t know about?

Zanger: I tried, and I failed miserably. Anyway, coming up: a Virginia agency that just bought its third B2B shop in 18 months. A Bethesda agency that took “take a hike” and turned it into 86 million dollars in media. And a song with a DC connection that we’re going to mention and absolutely not play.

Zanger: Three records to start, and we start where DC starts. Go-go. It’s E.U. It’s IndieHQ Radio, the DMV Show.

Track 1 #

Da Butt

E.U. 1988

Number 1 R&B, and the law of the land. Spike Lee commissioned it for School Daze, Marcus Miller wrote it, and Experience Unlimited, a DC go-go band since the 1970s, took it to number 1 on Billboard’s Black Singles chart in April 1988. It was one of the first go-go records to get real play outside the District. In 2020, DC made go-go its official music.

Track 2 #

The Hustle

Van McCoy & The Soul City Symphony 1975

Number 1 on the Hot 100, plus a Grammy. Van McCoy was born in Washington in 1940. He wrote this after his partner watched a crowd at a New York club doing a new dance called the Hustle, and it won the Grammy for Best Pop Instrumental Performance. A number 1 record that came with its own instructions.

Track 3 #

NNGE

Oddisee, feat. Toine 2017

Never Not Getting Enough. Oddisee grew up in Prince George’s County, and he has said the production on this one draws on the native sounds of DC music. Listen for the go-go under the beat. The chorus calls out DC, Maryland and Virginia by name. It’s off The Iceberg, which Zanger called maybe his favorite album, period.

Break 1 · The class, plus DMV extended #

A fifth of the way to Colorado

  • The back-announce: Oddisee, Van McCoy and the go-go that opened the hour
  • The DMV four: Artemis Ward, Model B, RP3 and Yes&
  • DMV extended: Planit and Unrivaled Studio in Baltimore; Familiar Creatures, Dotted Line and Tilt in Richmond
  • Familiar Creatures’ Ad Age silver and a Radio Mercury for a mayonnaise song
  • Dotted Line takes WNRN’s “Independent As You Are” to Roanoke
  • Three Top 40 jurors in the group
Transcript

Zanger: I love that song. Oddisee, “NNGE.” It stands for Never Not Getting Enough. He grew up in Prince George’s County.

Kyle: There you go.

Zanger: Toine’s in that one. He said the production on that one was inspired by the native sounds of DC music. It’s The Iceberg. It’s definitely a top five for me, without a doubt. It might be my favorite album, period.

Kyle: Really? That’s good. It’s dang good. But best album? That’s quite a big matzo ball you’re putting out there.

Zanger: I am putting a big matzo ball out there, and I got the backup headphones.

Kyle: I can tell. They’re not dangling.

Zanger: Zanger in Portland, Kyle in Jim Thorpe, Pennsy. It is Good Day Advertising, the DMV. If you happen to be listening and want to get on with us, just send us a note and we’ll get you the instructions.

Zanger: Before that, Van McCoy, “The Hustle.” Born in Washington, number 1 on the Hot 100. Guess the year, Kyle.

Kyle: I think that was ’75, ’76.

Zanger: ’75.

Kyle: Hey, got it right the first time.

Zanger: That’s right. “Get It Right the First Time.” Vastly underrated Billy Joel song, by the way.

Kyle: It is an underrated song, but that’s New York, so we’ll come to that eventually.

Zanger: We opened with the butt. It sounds really great, white dude saying it.

Kyle: We opened with the butt.

Zanger: E.U., Experience Unlimited. DC go-go band since 1975. Spike Lee commissioned that for School Daze, and in ’88, when we were both in college, it went to number 1 on Billboard’s R&B chart.

Kyle: Oh, I remember it well.

Zanger: In 2020, DC made go-go the official music of the District. So this was not a song choice. It was compliance.

Zanger: All right, let’s talk about our class in DC. A reminder that we have a Show Off at Yes& over in Alexandria. Very easy to get to. Hop the Metro, get yourself to King Street, and it’s legitimately a two-minute walk to the agency.

Kyle: And it’s an awesome space.

Zanger: Member or not, you get five minutes to show off your work, a little Q&A, a good hang, and it’s brought to us by Goodway Group. So thank you to the team at Goodway Group.

Zanger: One of the first to start with us, all those years ago: Artemis Ward in DC. Colin Moffett and Joel Daly started it in 2014, and they were our first member in Washington. Model B, also DC. Chris Perkins. Big Perk.

Kyle: Yo, Big Perk.

Zanger: I call him Big Perk. I don’t know if he likes that or not.

Kyle: I don’t think anybody else does, but go ahead.

Zanger: You know what? I’ve had a morning. I do not need the insubordination. I’m kidding. Can I hear the butt again? I probably do need the insubordination.

Zanger: RP3, up in Bethesda, Beth Johnson. And Yes&, hosting this great event. Colorado had 20. So we’re a fifth of the way there.

Zanger: But let’s talk a little about DMV extended. Up 95 in Balmer: Planit and Unrivaled Studio. Planit, you went there, didn’t you?

Kyle: I went there. My God, what a space. They do such good work. They were nice enough to invite me to their 30th shindig. It was an amazing experience.

Zanger: That agency’s been around a minute, so that’s very cool. And Unrivaled is going to be presenting at the Show Off. I’m excited about that.

Zanger: Down 95 in Richmond.

Kyle: Not much of an advertising town.

Zanger: I was there for a year. In spirit.

Kyle: At the Martin Agency. You went in on occasion.

Zanger: Exactly. Familiar Creatures, Dotted Line, Tilt. We’ve been talking to more Richmond agencies, and I think we’re going to do a happy hour down there for sure.

Kyle: Such a great town.

Zanger: Familiar Creatures took silver for Small Agency of the Year at Ad Age’s Small Agency Awards this summer. Ten people or fewer, revenue up 32 percent last year. They also won a Radio Mercury Award for Duke’s Mayo with something called “Duke’s Country Song.” So a radio show saluting a radio spot about mayonnaise. Full circle.

Kyle: So much mayo.

Zanger: It’s really good mayo, though.

Kyle: It is. And if you’ve heard the song, it’s funny. It’s inspired. Justin and the folks down there do a great job.

Zanger: Dotted Line just expanded its campaign for WNRN, the independent, listener-supported radio station out of Charlottesville, into Roanoke. The line is “Independent As You Are,” and it’s built around real DJs instead of an algo. We may be biased, but of course we approve. And Adweek named Dotted Line the number 1 women-led agency on its Fastest Growing list this year.

Zanger: Balmer again: Unrivaled Studio, a production and artist management company. And three people from this group are judging our Top 40: People + Agencies awards. Chris Perkins at Model B, Ellen Carlton at Tilt and Leslie Griles at Dotted Line. So join us on the 13th.

Zanger: How about we get back to some music? We’re going to do a sting, and then music. Holy cow, it’s been a weird morning. It’s October. Mercury’s in retrograde or something. It’s IndieHQ, Good Day Advertising, the DMV Show.

Track 4 #

Fallen

Mýa 2003

One Brazilian guitar, two very different records. Mýa was born in Washington. “Fallen,” off Moodring, is built on “Saudade Vem Correndo” by Stan Getz and Luiz Bonfá, the same bossa nova record the Pharcyde used on “Runnin’.” Zanger played it plenty back in his Jammin’ 95.5 days.

Track 5 #

Waiting Room

Fugazi 1988

No radio singles. No videos. Three million copies. The first song on Fugazi’s first record, on Dischord, the DC label Ian MacKaye co-founded. It later opened 13 Songs, which sold more than three million copies with none of the usual machinery. The pause at 22 seconds is the most famous silence in DC punk.

Break 2 · Indie Spin: Business #

Third B2B buy in 18 months

  • The sting: a circus comes to Washington
  • The back-announce: Fugazi, Dischord and Mýa’s Brazilian guitar
  • Yes& buys Modo Modo, its third B2B shop in 18 months
  • Model B: the Model A Lab, the movie-making model and a self-declared weirdo
Transcript

[Sting: The Center Ring]

Ringmaster: Ladies and gentlemen, agencies of all ages! In the center ring… the administration! Watch as they pack 40 clowns into one small car and hand each one a federal agency. And now, for their greatest trick: a plan. …It’s disappeared.

Zanger: We call that the clown show. An homage to the current administration. All right. I’m Zanger. He’s Kyle O’Brien.

Kyle: Yo, yo.

Zanger: Fugazi got the full song.

Kyle: I love that. And I was hoping you were going to go somewhere with the hardcore scene, because it is prevalent.

Zanger: That was their first record, ’88, on Dischord. If you like Patton Oswalt, find the bit where he talks about Fugazi.

Kyle: So good.

Zanger: Before that, Mýa, “Fallen.” We used to play that song a lot at Jammin’ 95.5. She was born in DC. Now, that guitar probably sounds familiar. Some of you remember it from the Pharcyde’s “Runnin’,” but it’s built on a Stan Getz and Luiz Bonfá bossa nova record. There’s your trivia for the day. Possibly more coming.

Zanger: Let’s talk a little more about our hosts. October 13. Thank you to Goodway Group for our Show Off in Washington, DC. Go to IndieHQ.com for details and tickets. It’s a twofer: you get one, you get a second one free.

Zanger: Yes&, over in Alexandria, bought Modo Modo in June, a B2B agency out of Atlanta. That’s their third B2B acquisition in 18 months. Beacon Digital Marketing in 2025, Symmetri Marketing Group this year, and now Modo Modo. The founder, Moira Vetter, now leads the B2B business for Yes&, and her client list came with her: Equifax, Fiserv, Cox Enterprises, Georgia Tech. Our friend Zihla is CEO, and the Washington Business Journal has Yes& as the number 2 largest privately held ad agency in the greater DC area.

Zanger: Let’s go back to Big Perk. Model B. Here’s the story with them. They keep new ideas and tools in what they call the Model A Lab, a little nod to the Wright Brothers and Hank Ford. Anything still being tested stays in Model A. Once it’s proven, it goes to clients, and that’s Model B.

Zanger: Chris Perkins took over in 2023 and calls the way they work a movie-making model: a small core team, then a crew built for each job from the Partner Collective, 50 vetted agencies. His line when we did Meet an Indie Agency with him: strategic first, superpower second. We asked if they were weirdos, misfits or underdogs. He said probably more weirdos than anything else.

Kyle: Which I love.

Zanger: I think we just continue on with the música for now, because we’ve had so many things go wrong today that I figure let’s do something right. And there’s a little story about Bethesda here. “Down at the Twist and Shout.” It’s Mary Chapin Carpenter. It’s Good Day Advertising, everybody.

Track 6 #

Down at the Twist and Shout

Mary Chapin Carpenter 1990

A real Bethesda dance hall, a Grammy and a Super Bowl. The Twist and Shout was a Cajun and zydeco night in a rented hall in Bethesda. BeauSoleil, the Louisiana band she used to go see there, plays on the record. It went to number 2 country and won her a Grammy for Best Female Country Vocal Performance. She played it at Super Bowl XXXI in New Orleans.

Track 7 #

Afternoon Delight

Starland Vocal Band 1976

Named off a menu in Georgetown. Bill Danoff spotted “Afternoon Delights” on the happy hour menu at Clyde’s of Georgetown and figured it would make a nice song title. It hit number 1 in July 1976, Bicentennial week, and the band beat Boston for Best New Artist. Danoff and Taffy Nivert also co-wrote a song with John Denver, which we did not play.

Break 3 · Indie Spin: The Work #

Take a hike, earn $86 million

  • The sting: the Beltway traffic report (still bad)
  • The back-announce: a Georgetown menu and a real Bethesda dance hall
  • RP3’s rebuild, and “Take a Hike” for the Appalachian Trail Conservancy
  • The John Denver connection, mentioned and not played
Transcript

[Sting: The Beltway Report — “Traffic on the Beltway: still bad.”]

Zanger: That is accurate, by the way.

Kyle: Oh yeah, quite.

Zanger: When is a good time to drive the Beltway? Sunday at 2 a.m. That’s a good time to be on the Beltway, for sure. It’s Good Day Advertising, the DMV Show, on IndieHQ Radio. I’m Zanger. He’s O’Brien.

Kyle: That’s right.

Zanger: And that was the Starland Vocal Band, “Afternoon Delight.” It was number 1 in America the week of… I’m going to have you guess the year again.

Kyle: Ooh. That’s got to be ’75, ’77.

Zanger: Close. Split the middle. ’76. Now, clearly there’s a lot of innuendo going on in that song.

Kyle: No.

Zanger: But here’s the thing. Bill Danoff was at Clyde’s in Georgetown, where the happy hour menu was called Afternoon Delights, and he figured it would make a nice song title. He was right. Then it got all frisky.

Kyle: Then they’re rubbing sticks and stones together. Plus, it always reminds me of Arrested Development, when Michael and Maeby sing it at karaoke. Cracks me up every time.

Zanger: It is hilarious. Before that, Mary Chapin Carpenter, “Down at the Twist and Shout.” Do you know who was on the fiddle and accordion?

Kyle: I do not.

Zanger: BeauSoleil.

Kyle: I was going to say it’s got to be a zydeco group.

Zanger: It has a lot of Louisiana-isms in it, but the inspiration is a real place in Bethesda. That song won her a Grammy, by the way. And she was one of David Letterman’s favorite musical guests, which was great for all of us.

Kyle: I loved it when he brought her on. She’s so good.

Zanger: He also used to bring on Silversun Pickups, which I really like.

Zanger: Let’s go back to Bethesda. RP3. Beth Johnson founded it about 17 years ago. In 2020 there was this little thing we called the pandemic, and she didn’t close it. She rebuilt it. And the relaunch is built on an idea they call Wildly Original. I like that positioning. Their work for the Appalachian Trail Conservancy: “Take a Hike.”

Kyle: That was with Kevin Nealon. What a great campaign that was, and is. It’s ongoing. They got our buddy Kevin Nealon from SNL to play on the “take a hike” theme, which has been around a long time, and he made it funny, but also a call to get outdoors. Kevin Nealon, big hiker. I’ve got the Appalachian Trail about five miles from where I live, so seeing the kind of bump that campaign gave it is great. Plus, it’s Kevin Nealon.

Zanger: It is Kevin Nealon. So: 86 million dollars in donated and earned media, nearly a billion impressions, and Ad Age named it Gold, Integrated Campaign of the Year, at the Small Agency Awards. Then in August, Campaign US named Beth one of its 40 Over 40. Deservedly so. Nicely done.

Zanger: Now, back to the Starland Vocal Band, and I’m not going to dwell on this. Bill Danoff and Taffy Nivert, two of the four people in the band, also co-wrote a song with John Denver. We’re not going to play it, but it ties back to our Colorado show, because we always like having something to tie back to the previous show. Actually, we don’t. That was just me trying to be clever.

Kyle: You just wanted a callback.

Zanger: Wanted a little callback. All right, let’s get back to some music. Born in DC. One of the greatest songs from one of the greatest artists in our history, and one of my favorites, from the late, great Marvin Gaye. “Mercy Mercy Me (The Ecology).” It’s Good Day Advertising.

Track 8 #

Mercy Mercy Me (The Ecology)

Marvin Gaye 1971

An environmental song from 1971. Still current. Marvin Gaye was born in Washington in 1939. The second single from What’s Going On went to number 1 R&B and number 4 on the Hot 100, after Motown doubted the album would sell. As Zanger said on air: if you don’t nod your head to this one, something’s wrong with you.

Track 9 #

Lebanese Blonde

Thievery Corporation 1998

Out of the Eighteenth Street Lounge. Rob Garza and Eric Hilton built Thievery Corporation around the Eighteenth Street Lounge scene near Dupont Circle and put out their records on their own label. Pam Bricker sings this one. It was a 1998 single, landed on The Mirror Conspiracy in 2000 and found a whole new audience on the Garden State soundtrack.

Break 4 · Show Off DC, and out #

Take the train. Don’t drive.

  • The back-announce: Thievery Corporation, and Kyle guesses the year on Marvin
  • Artemis Ward, the first of the four
  • Show Off DC on October 13, plus the rest of the fall: Atlanta, Minneapolis, Nashville and Boston
  • The Rockville kid, and out
Transcript

Zanger: Good Day Advertising, IndieHQ Radio. Thievery Corporation, “Lebanese Blonde.” Rob Garza and Eric Hilton, out of the Eighteenth Street Lounge scene in Dupont Circle. We’re going to do trivia with Kyle again. Before that, the late, great Marv— Martin— good old Martin. God, what a day, dude. Before that, the late, great Marvin Gaye, born in DC. “Mercy Mercy Me.” Do you know the year?

Kyle: God, I like that you don’t let me search.

Zanger: No, I’m not going to do that. If I can’t get it, there’s something wrong with me.

Kyle: ’70.

Zanger: You’re so close again. ’71. It’s a song about the environment.

Kyle: Yes, it is. It’s also a groove that if you don’t nod your head while that’s going on, there’s something wrong with you.

Zanger: Exactly. A song about the environment, which sadly is still current.

Zanger: All right. The final of our DMV four, and the first agency that joined: Artemis Ward. Strategy-led, built around one idea: the answer is always in the audience. True. And a cool client list: Oakley Meta, launching the new performance glasses. Nike Basketball. Microsoft. National Geographic.

Zanger: So: four members in the DMV, five more up and down 95. Which is an awful drive.

Kyle: Got to be one of the worst. Again, drive it Sunday at 2 a.m. and you’re great. Don’t drive it on a Sunday afternoon trying to go home.

Zanger: What we will say is: Tuesday, October 13, 6 p.m., at Yes& in Alexandria. Show Off DC. Five minutes each to show your story and your best work, then a quick Q&A from the audience. Drinks and food. Every ticket gets a free plus-one, and members get 25 percent off, thanks to Goodway Group for making it happen.

Zanger: And it’s not just agencies. A DC photographer said, “Hey, can I present?” And I said, yeah, that sounds cool. If you make the work, if you’re a little adjacent to this side of the business, come. There may be some students coming from Indiana University, which now has a campus in the DC area.

Kyle: Cool. I love seeing students.

Zanger: DC is the 13th, and we have others coming up: Show Offs in Atlanta and Minneapolis, and a trivia battle in Nashville. All the Show Offs are presented by Goodway. The Nashville trivia battle is from our good friends at Mogul, and we wrap up the year with a trivia battle in Boston with our OG partner, Pathlabs. God bless ’em. Thank you to all of them.

Zanger: Speaking of DC, again: King Street Metro, a couple-minute walk from there. If you’re coming down from Balmer or up from Richmond, take the train and get off at Alexandria. Don’t drive. You can tell I don’t ride a train much.

Kyle: You don’t have nearly the trains we do back here.

Zanger: Go to IndieHQ.com to learn more. Well, this was quite a day, shall we say.

Kyle: It was a day.

Zanger: A few lessons learned, and that’s okay. Here’s how we wrap this sucker up. Her family’s home was in Georgetown. At five, she was the youngest student ever admitted to the Peabody, up in Baltimore. A little DMV extended there. At 14, she was playing piano bars around Washington, with her dad, a Methodist minister, sitting in as chaperone. And she finished high school in Rockville, Maryland.

Zanger: There you go, ladies and gentlemen. We’re going to finish with Tori Amos. It’s “Cornflake Girl.” It’s Good Day Advertising. Have a great weekend. We’ll see you next time.

Track 10 · The closer #

Cornflake Girl

Tori Amos 1994

Number 4 in the UK. A Rockville senior, once. Her family’s home was in Georgetown when she was born. She was admitted to the Peabody at five, lost the scholarship at 11 and played Washington piano bars at 14 with her father as chaperone. She finished high school at Richard Montgomery in Rockville. This was the lead single from Under the Pink.

The DMV, extended

Ten records, four member agencies, five neighbors and one city with an official genre.

Marvin Gaye, Van McCoy and Mýa were born in Washington. Oddisee grew up in Prince George’s County, and Tori Amos finished high school in Rockville. E.U. and go-go belong to the District by law. Fugazi, Thievery Corporation and the Starland Vocal Band all came up in DC clubs, and Mary Chapin Carpenter wrote a hit about one in Bethesda. That covers all 10.

Look at who owns what, too. Fugazi put out its records on Dischord, the DC label Ian MacKaye co-founded, and sold millions without a radio single. Thievery Corporation released on its own label out of the Eighteenth Street Lounge. The hour ran on independents, and so does the playlist.

Show notes

Everything named on air, in order, with the reporting behind it.

The roll call: IndieHQ’s DMV four, plus DMV extended

DC: Artemis Ward and Model B. Bethesda: RP3. Alexandria: Yes&. Baltimore: Planit and Unrivaled Studio. Richmond: Familiar Creatures, Dotted Line and Tilt. Colorado had 20. The DMV is a fifth of the way there, and Show Off DC is the plan to fix that.

Familiar Creatures takes Ad Age silver and a Radio Mercury for mayonnaise

The Richmond shop took silver for Small Agency of the Year (one to 10 employees) at Ad Age’s 2026 Small Agency Awards, with revenue up 32% in 2025. “Duke’s Country Song,” its radio spot for Duke’s Mayo, won at the Radio Mercury Awards. A radio show saluting a radio spot about mayonnaise.

Dotted Line takes WNRN’s “Independent As You Are” to Roanoke

The campaign for WNRN, the listener-supported station out of Charlottesville, expanded into Roanoke in September, built around real DJs instead of an algorithm. Adweek also named Dotted Line the No. 1 women-led agency on its 2026 Fastest Growing Agencies list.

Planit and Unrivaled Studio, up 95 in Baltimore

Planit has been at it since 1994, and Kyle was at the 30th. Unrivaled Studio is a production and artist management company representing directors, DPs and photographers, and it’s presenting at Show Off DC.

Three Top 40 jurors in the group

Chris Perkins (Model B), Ellen Carlton (Tilt) and Leslie Griles (Dotted Line) are judging IndieHQ’s Top 40: People + Agencies awards this year.

Yes& buys Modo Modo, its third B2B shop in 18 months

The Alexandria agency acquired Modo Modo, an Atlanta B2B agency, in June. It follows Beacon Digital Marketing in 2025 and Symmetri Marketing Group this year, plus Atlanta’s Hothouse in May 2025. Modo Modo founder Moira Vetter now leads the B2B business for Yes&, and her clients include Equifax, Fiserv, Cox Enterprises and Georgia Tech. Zihla Salinas is CEO. The Washington Business Journal ranks Yes& as the No. 2 largest privately held ad agency in the greater DC area.

Model B: the Model A Lab, and a movie-making model

New ideas and tools live in the Model A Lab until they’re proven. Then they go to clients, as Model B. Chris Perkins took over in 2023 and runs it as a small core team plus a crew built for each job from the Partner Collective, more than 50 vetted agencies. His line: “We’re strategic first, superpower second.” And, by his own account, “probably more weirdos than anything.”

RP3’s “Take a Hike” for the Appalachian Trail Conservancy

Beth Johnson founded the Bethesda agency about 17 years ago, rebuilt it after the pandemic took nearly 70% of revenue in 2020 and relaunched it in 2024 around “Wildly Original.” “Take a Hike” turned a brush-off into an invitation: $86 million in donated and earned media, nearly a billion impressions, and Gold for Integrated Campaign of the Year at Ad Age’s 2026 Small Agency Awards. In August, Campaign US named Beth one of its 40 Over 40.

Artemis Ward, the first of the four

Colin Moffett and Joel Daly started the DC agency in 2014, and it was IndieHQ’s first member in Washington. It’s strategy-led, built around one idea: the answer is always in the audience. Clients include Oakley Meta, Nike Basketball, Microsoft and National Geographic.

Show Off DC, Tuesday, October 13

6 p.m. at Yes&, 1700 Diagonal Road, Alexandria, a couple of minutes’ walk from the King Street–Old Town Metro and the Alexandria Amtrak station. Agencies, studios and makers get five minutes each to show their story and their best work, then a quick Q&A. Drinks and local food. Every ticket comes with a free plus-one, and IndieHQ members get 25% off. Presented by Goodway Group. Still to come this fall: Show Offs in Atlanta and Minneapolis, a Nashville trivia battle with Mogul and a Boston trivia battle with Pathlabs.

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